Crocker,
William H. The Canela (Eastern Timbira),
I: An
Ethnographic Introduction.
Smithsonian
Contributions to Anthropology,
Number 33,
487 pages, 11 tables, 51 figures, 78 plates, 1990.
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Table
of Contents
ABSTRACT
DEDICATION
EPIGRAPH
FOREWORD,
by Charles Wagley
PREFACE
ACKNOWLEDGMENTS
INTRODUCTION
(Parts
I - V, Epilogue and Appendices link to a detailed Reference Outline,
which links to specific locations within the book)
PART I:
The Field Situation: experiences techniques, equipment,
language learning, and research assistant relationships
PART II: Ethnographic Background: ecological
and diachronic contexts, natural and cultural cycles, expressive and material
culture
PART III:
Social Organization: socialization, psychological
polarities, and social and ceremonial units; political structure, terminological
relationships, and marriage
PART IV:
Ceremonial and Belief Systems: tribal festivals
and individual rites; cosmology, shamanism, and pollution
PART V:
Canela Structural Patterns
EPILOGUE:
The Canela in the 1980s
APPENDICES
1.
Ten Field Trips to the Canela over 22 Years
2.
Canela and Apanyekra Collections at the Smithsonian Institution
3.
Primary Materials for Future Studies
4.
Linguistic Notes
5.
Concept of “today”
6.
Sources of Data
NOTES
GLOSSARY
LITERATURE
CITED
REFERENCE
OUTLINE
Tables
- Meteorological
averages of data from principal meteorological and climatological station
of Barra do Corda, Maranhão, Brazil, 1971
- Canela
sayings and common expressions referring to the annual cycle
- Annual
cycle of economic activities
- Annual
festival cycle
- Life cycles of women
and men (part
1) (part 2)
- Canela
expressions for times of day
- Daily
cycle of events of Canela
- Canela artifacts and
field numbers of donations to museums from 1960 onward (part
1) (part 2)
- Social
developmental stages of the individual as described in currently used Canela
expressions
- Some
kintypes of the consanguineal and affinal kinship categories
- Canela
kinship terms
Maps
- Gê-speaking
Indians and their neighbors
- 1985 road map of Northeast
Brazil to the Araguáia River showing the Canela and Apanyekra villages
(part
1) (part 2)
- Canela and Apanyekra
reservations and surrounding backlands, 1986–1987 (part
1) (part 2)
- Eastern
Timbira and their neighbors, past and present
- Escalvado
village and Indian service post buildings, 1975
- Porquinhos
village and Indian service post buildings, 1975
- Canela
area and agricultural lands, 1969
- Apanyekra
area and agricultural lands, 1974
Figures
Frontispiece
- Escalvado
(a Canela village), 1975
- Porquinhos
(an Apanyekra village), 1975
- Cerrado
countryside (“closed savannas”), 1969
- Racing-log
preparation in the “gallery forest” undergrowth, Escalvado
- Dry
forest near Sardinha
-
Deciduous dry forest in October 1971
- Indian
service agent Olimpio Martins Cruz
- Bridge
built at Ourives in 1969 to protect the Canela after their return to their
cerrado homeland
- Indian
service agent Sebastião Pereira
- Sr.
Sebastião’s wife, Dona Fatima, with her children
- Jack
Popjes of the SIL with Canela and backlander
- Canela
concepts of “this day”
- Timbira
sport of relay racing, carrying logs
- Uncle
disciplining nephew before female dance line
- Uncle
disciplining nephew before female dance line
- Growth
stages
- Plaza
moiety group locations during Pepyê and Fish festivals
- Chief
Kaarà?khre lecturing in morning plaza council meeting
- Pró-khãmmã
eating hààkwèl meat pies in their
southwest corner of the plaza
- Model
of one-link/further-links away from ego kin
- Model
of the two most important consanguineal successions
- Division
of a Canela hearth group
- Classificatory
one-link away kin
- Canela
longhouses and age-set positions around plaza
- Apanyekra
longhouses and Regeneration moiety positions around plaza
- Ideal
Canela consanguineal terminology, female ego
- Ideal
Canela consanguineal terminology, male ego
- Affinal
models of “in”-house (born in family) versus “out”-of-house (married into
family) terminological distinctions
- Model
of classificatory spouses between two marriage-connected houses, female ego,
with alternatives
- Model
of classificatory spouses between two marriage-connected houses, male ego,
with alternatives
- Ideal
affinal terminology of a woman’s affines in husband’s natal longhouse, with
alternatives
- Ideal
affinal terminology of a man’s affines in wife’s longhouse, with alternatives
- Terms
of address in women’s ideal affinal terminology for husbands’ kin in their
matrilateral and across-the-plaza longhouses, with alternatives (two female
egos)
- Terms
of address in men’s ideal affinal terminology for wive’s kin in their matrilateral
and across-the-plaza longhouses with alternatives (two male egos)
- Canela
and Apanyekra model of female name-set transmission
- Canela
and Apanyekra model of male name-set transmission
- Canela
and Apanyekra model of exchanged name-set transmission for parallel-and cross-cousins
- Canela
and Apanyekra equate “blood” of uterine siblings
- Canela
and Apanyekra matriline “blood” attenuation through marriage
- The
flow of kin through time
- Canela
matriline “blood” attenuation and the sweet potato vine concept of descent
- Model
of genealogical “distance “ between parallel cousins
- Canela
cross-cousin, across-the-plaza, linked longhouses
- Marital
bridge of equivalent “blood” pairs connects houses across the plaza
- Wè?tè
girl stands before Kô?khre log with a burned-out trough
- Cloth-and-feathered
decorated Little Falcon swings on vine from mast, “flying” (pushing off) from
his cage
- Red
and Black Regeneration season moiety membership sitting locations during the
Ayrën ceremony
- Bride’s
female in-laws painting her belt with red urucu
- Bride’s
female in-laws wrapping the belt of long cord around her hips
- The
older Kaapêltùk listening at a meeting in the plaza
- The
younger Kaapêltùk writing in his diary
Plates
1. Views of São Luis from the top of Hotel
Central in 1964
2. Barra do Corda in the late 1950s
3. Barra do Corda Centro
4. Modes of transportation
5. Escalvado from the air
6. Views of the new Escalvado village,
1969
7. House types of the Canela and Apanyekra
8. Special features of houses
9. Interiors of houses
10. Features
of house construction
11. Indian
service post buildings
12. Cultivation
patterns
13. Views
of Canela landscapes
14. Agricultural
and trapping artifacts
15. Hunting
and food distribution
16. Food
preparation
17. Household
tasks
18. Cord-making
and weaving techniques
19. Children’s
activities
20. Steps
in preparing manioc
21. Steps
in preparing manioc
22. Steps
in making a meat pie
23. Steps
in making a meat pie
24. Ear-piercing
rite
25. Ear-piercing
rite
26. Genipap
body painting designs of the plaza groups at Escalvado, 1975
27. Body
decorations
28. Games
and ceremonies
29. Curing
techniques
30. Mourning
and burial preparation
31. Burial
procedures
32. Daily
and ceremonial singing
33. Late
afternoon sing-dance
34. Making
a racing log
35. Log
racing with Pàlrà logs
36. Pepyê
festival
37. Pepyê
festival and fierce warrior act
38. Sardinha,
1963
39. Formal
and Informal Friendships
40. Terminal
phase of the Pepyê festival
41. Khêêtúwayê
festival
42. Pepyê
festival
43. Pepyê
festival’s terminal phase
44. Pepkahàk
festival
45. Pepkahàk
all-night singing and wasp killing during festival
46. Clowns
47. Fish
and Sweet Potato festivities
48. Scenes
of Masks’ activities
49. Masks’
activities
50. Pàlrà
ritual
51. Pàlrà
ritual
52. Wè?tè
festival scenes
53. Corn
ceremonies
54. Festival
of Oranges
55. Urban
and backlander influences
56. Artifacts
in use
57. Artifacts
in use
58. Artifacts
59.
Artifacts
60. Artifacts
61. Artifacts
62. Pierced-ear
decorations and tools
63. Ceremonial
weapons
64. Ceremonial
staffs
65. Artifacts
66. Artifacts
67. Artifacts
68. Portraits
of Canela assistants
69. Portraits
of Canela assistants
70. Portraits
of Canela assistants
71. Portraits
of Canela assistants
72. Representative
portraits of Canela and Apanyekra
73. Representative
portraits of Canela and Apanyekra
74. Representative
portraits of Canela and Apanyekra
75. Representative
portraits of Canela and Apanyekra
76. Representative
portraits of Canela and Apanyekra
77. Representative
portraits of Canela and Apanyekra
78. Views
of Barra do Corda in the 1980s
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